Sunday, 15 February 2015

BABY J HANGS OUT WITH MOVIE STARS


The princess of Edo Swagger will soon be hanging out with female movie stars based in Lagos.
Born to a Benin prince in the ancient city, Princess ..... aka. Baby J grew up listening to, and loving music from a very tender age.
The well traveled singer has been singing and performing for many years now, culminating in the production of several compilation audio and video CDs including ...
Now she has come to pitch her tent in Lagos, where she believes is the entertainment capital of Nigeria. She says she has great admiration for celebrities like Omotola, Genevieve and so on and wishes to one day collaborate with them in the future.



Tuesday, 23 September 2014

COSON WANTS OKONJO-IWEALA TO TAKE PERSONAL RESPONSIBILITY FOR THE COPYRIGHT BLANK TAPE LEVY SCHEME.


Copyright Society of Nigeria (COSON) has asked the Honourable Minister of Finance, Dr. Ngozi Okonjo-Iweala to take personal responsibility to activate the copyright Private Copy Levy scheme, the documents of which are said to be gathering dust in her ministry.
Reading the Nigerian music industry address on the celebration of the annual ‘No Music Day’ on September 1, 2014, at the COSON office in Lagos, COSON Chairman, Chief Tony Okoroji said, ‘The Nigerian music industry today calls on the Honourable Minister of Finance, Dr. Ngozi Okonjo-Iweala to immediately and personally take charge and unshackle the Private Copy Levy Scheme which has remained trapped in the Directorate of Fiscal Policy in her ministry for months. The Private Copy Levy Scheme which for many years has been in operation in many countries around the world, including some in our sub region, is intended to provide badly needed cushion for the stakeholders in the creative industry suffering from the unbridled copying and downloading of creative materials made possible by modern technology’
Continuing, Chief Okoroji said, ‘the Nigerian music industry is aware that the order to activate the Private Copy Levy has since been made by the Attorney-General of the Federation & Minister of Justice, Mr. Muhammed Bello Adoke and published in the Federal Gazette. The Nigerian Copyright Commission has held several public consultations on the levy and the stakeholders have since looked forward to the commencement of the scheme. Unfortunately, for some inexplicable reason, the documents seeking the approval of the Finance Minister to activate the scheme remain trapped in some files in the office of the Director of Fiscal Policy in the Federal Ministry of Finance while the industry meant to benefit from it is suffocating.’
The COSON Chairman also stressed, ‘if the Honourable Minister has any questions on the scheme, we are ready to provide the answers. We believe that within a few minutes, this scheme which will provide some succour not just for the music industry but also for the movie and literary industries should be given an opportunity to make progress.’
While commending the government of President Goodluck Jonathan for his interest in providing desperately needed funds for Nigeria’s creative industries so that they can achieve their potentials, he expressed the concern of the music industry that the government may have been made to see Nigeria’s creative industries as beginning and ending with Nollywood saying that it would be a huge mistake.
In the words of the former President of PMAN: ‘Please let us clarify that we fully support any assistance given by the government to our brothers and sisters in the Nigerian movie industry with whom we maintain an excellent relationship and work very closely with for the good of Nigeria. We are simply saying that the very reasons for government intervention in the movie industry apply fully to the Nigerian music sector which is equally making our nation proud across the world.’
Chief Okoroji also called on President Goodluck Jonathan to direct the Bank of Industries (BOI), the Nigerian Export & Import Bank (NEXIM), the Federal Ministry of Trade & Investments and everyone connected with the Growth in Employment in States Fund (GEMS) and the Entertainment Industry Intervention Fund announced by President Jonathan three years ago to do what is necessary to make sure that the funds begin to have real impact on the industry, create the badly needed employment and reduce the restiveness in Nigeria.
‘We wish to state that both the Growth in Employment in States Fund (GEMS) and the Entertainment Industry Intervention Fund announced by President Goodluck Jonathan three years ago, which created so much initial buzz, have not been the catalysts they were intended to be’ said Chief Okoroji.
On No Music Day, COSON officials practically enveloped the airwaves in an unprecedented and well co-ordinated campaign against piracy and all forms of copyright infringement. Several COSON officials spoke simultaneously as numerous broadcasting stations ran live interviews and discussion programmes. Now Muzik CEO, Efe Omorogbe was on TVC; Gospel Choral Records CEO, Mr. Joel Ajayi was on Metro FM; Queen of Love Azeezat Allen was on Eko FM; CEO of Chocolate City, Audu Maikori was on CNBC; COSON lawyer, Justin Ige was on City FM; General Manager, Chinedu Chukwuji was on OGBC and Galaxy TV. Lawyers, Akeem Aponmade was on Beat and Classic FM while Akinyemi Ayinoluwa was on Radio Nigeria 1. Bayo Omisore was also on Galaxy TV while Seye Lawal was on Smooth FM among many others.

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Wednesday, 6 August 2014

AZEEZAT QUEENOFLOVE - THE THINGS I HATE ABOUT COSON

 

I hate it when my COSON phone rings. Yes, I have a COSON phone, an around 2k 'palasa' whose shrill sound can wake the dead. The phone was given to me because as a member of a key committee of the Board, the management needs to track me 24/7, so I am always on stand-by.

I have been strategizing on how to tell them to change the phone since, but for where? The thought of saying that to Bernice, COSON's Head of Finance/Admin is enough to keep me quiet and continue to manage the ‘pure water’ phone, even if everyone on the other end continues to say they don't hear me, and then I put it on speaker. My hope is that one day, the GM will get tired of not hearing me and change the phone himself.
Now you have laughed, abi? Laugh all you can. That is what we go through as Directors at Copyright Society of Nigeria (COSON), the million-dollar-declaring Collective Management Organization (CMO) that everybody is talking about. Can you imagine?
That's why I laugh when I read stories about how COSON Directors are building houses everywhere and spending COSON money nyafun-nyafun. It's all so hilarious.
You would have expected COSON to give me at least one android Tekno as an official phone. No be so? But no! That is the kind of organization we run. Very stringent! There are so many protocols to ensure transparency and accountability. You cannot imagine how many people have to sign and counter-sign a voucher before you are refunded N5,000 of the N10,000 you spent doing COSON work. At COSON, every kobo must be counted and accounted for. I hear that some people even think that COSON is spending government money. Which government? Government has never given one penny to COSON. Ask anywhere.
So where was I? Yes, I said I hate my COSON phone ringing. It isn't just because of the shrill sound of the phone, it is also because of the nature of the job: COSON is in a hurry and you can be summoned at any time and given one very tough assignment and you have to do it. Don’t blame me if the stubborn part of me sometimes revolts. These people very well know that they don’t pay me a salary. Shouldn’t I have some time to earn a living?’ I thought I knew the COSON Chairman, Chief Tony Okoroji before I became a Director of COSON. Na lie, I did not know him. He is a perfectionist and demands perfection from everybody. He never stops working and thinks that everybody must be a workaholic like him. How I come enter this kind long thing?
I remember being called to pursue the collection of outstanding music copyright royalties at LTV8 (Lagos Television). LTV was like a home to me, if you know what I mean: I was always welcome. There was once that without a couple of hours at Feminar, the joint inside the LTV compound, my day was not done. From the gate o, to the receptionists, presenters/producers, Ogas dem, I was always given a warm welcome at LTV8.
Now it was this same LTV8 that I had to go to and chase the Permanent Secretary(PM) for music royalties. And guess who that PM was, the very admirable Lekan Ogunbanwo! There's more to this story o. The last time I saw Mr Ogunbanwo before the royalties issue, I had gone to appeal to him to grant free venue for a widows event that I was involved in, and he graciously did. So how thicker can this plot get?
Anyways I was sent on an errand, and errand I must go and deliver. First day I went, I was indeed able to look at him in the eyes after some wait and diplomatically ask "where is our money?" He calmly told me to come back the next week. Next week came and I was there but guess what, I was kept waiting for a long time at the reception downstairs, for the first time in my history with LTV. I couldn't believe it. Another one of my treasured goodwill bites the dust, ghen ghen!!
At COSON, there are no half measures. Nothing that can be done today must be postponed till tomorrow. The Chairman insists that the overriding interest at all times must be that of all the members and there must be no secrets in COSON. Everything must be placed on the table and discussed by everyone and known by everyone. Loong thing! So there are countless meetings. Everyone must know where every naira is coming from and where it is going to. I know how long it has taken for us to get something like COSON established and why the organization must be protected but it does become too much.
That's what working as a Director in COSON entails: your long-term built relationships and goodwill suffer, while trying to continuously build a million-dollar organization in which you have to argue over every kobo. But I hear that that's how strong long-lasting conglomerates are built: arguing over every kobo!
At COSON, rules are rules and there are no friends and no foes. I have had to sit at the opposite side of the table and argue vigorously with music/media greats like Baba 'Ke-ke' Kenny Ogungbe of Ray Power, Mr Larry Izamoje who owns Brila FM, Guy Murray Bruce of Silverbird, Senator Mike Ajeigbo who owns Minaj, Engineer Amin Moussali who owns Cool FM and Wazobia FM, Sony Irabor of Inspiration FM. I could give you a looong never-ending list of how I practically grew up in the hands of some of these people!! But when the matter involves COSON, you throw away your personal relationships out of the window.
But don't let me fool you with this image of a long-suffering human being in the service of Naija music homo-sapiens, Naaa. I love it! I love the fact that we have made history. At COSON, we have built the kind of professional organization that people said was impossible in Nigeria. I love to walk into the smart COSON office and see all those graduates working for Nigerian artistes. Because of COSON, everyone is now afraid of trampling on the rights of Nigerian artistes. I love the feeling of making a difference. I love that my opinion counts. I love looking at the faces of those old artistes/society members from the hinterlands, each time we have a COSON AGM and copyright royalties are being paid to thousands of artistes, I ask: Is this Nigeria?
Seeing how COSON works, I now know why PMAN has continued to fail. Boy, I love solving the problems of those old artistes. And I oh-so-love it when they pray for me. I like the feeling that all their prayers for me is in a bank in heaven, waiting for the day I'll need it. *wink*.

Friday, 27 June 2014

LARRY ZUKA IN "LIGHT FOR THE NORTH"


  Larry Zuka is presently co coordinating a musical all-star project tagged, LIGHT FOR THE NORTH. The music project brings together some of the best singers in the country. It is said to be best on merit and not of popularity. The song, a remix and rearranged version of Northern light, tears are not enough, was produced by Iyke Onka.



Sunday, 4 May 2014

LYDIA EIRES CRIES FOR AMAKA IGWE,


According to Nollywood actress Lydia Eires, “Amaka Igwe is a visionary screenwriter, producer and director. Someone I’ve been looking forward to working with. I am so saddened over the news of her death. It is still a shock to me, Nollywood and Nigeria as a whole.

Wednesday, 27 November 2013

NEW RELEASE BY RHYMES ....BEAUTIFUL

THIS IS BEAUTIFUL MUSIC THAT YOU JUST HAVE TO LISTEN TO FROM THE STABLES OF MUVIT RECORDZ. 

Frank Chinedu Okafor aka Rhymes (Mr Ekeleba) is a talented Singer songwriter and instrumentalist. He has been in the Nigerian music industry for like 6years, perfoming on the same stage with the likes of Sound Sultan, Olamide, Faze, Sheyman, Phyno etc. Now he is ready to take the industry by storm with 5 tracks already recorded. Here Is his new single titled Beautiful.


Monday, 25 November 2013

TRUE REASONS WHY BON IS THREATENING TO BAN NIGERIAN MUSIC



The attention of Copyright Society of Nigerian (COSON) has been drawn to repeated announcements on some radio and TV stations that the leadership of Broadcasting Organization of Nigeria (BON) is threatening to stop the broadcast of Nigerian music on radio and television on a date soon to be announced. COSON is not surprised at this development.

It is instructive that the repeated announcements, mainly on AIT, Ray Power FM and Faaji FM owned by Daar Communications and Brila FM owned by Brila Broadcasting Services Ltd respectively,coincides with the recent court actions filed by COSON against Daar and Brila for unabated copyright infringement.

In the Nigerian democracy, the Judiciary is the third arm of government. COSON believes that when every attempt to resolve any issue fails, resort to the courts to interpret the laws and examine the facts is the most civilized way to bring the issues to a resolution and avoid breakdown of law and order.

The tasteless BON announcements complain of ‘incessant and continuous harassment, intimidation, blackmail and attack on broadcasting stations by COSON over un-negotiated payment of licensing fees which in all respect were and are fixed and imposed arbitrarily and unilaterally by COSON’. Unfortunately, the BON announcements do not give even one example of the alleged harassment, intimidation, blackmail or attack, the victim, the place or date. The fact is that BON cannot present any such information because the statement is a smokescreen based on barefaced lies. If the blatant allegations of BON were true, is the right thing to do not for the stations sued by COSON to take the evidence to court and let the courts, once and for all, rule that COSON is acting arbitrarily and outside the law? Why the resort to self-help?

For the avoidance of doubt, COSON is a very professional organization which operates strictly within the law and subjects itself to the transparent and unfettered regulation and oversight of the Nigerian Copyright Commission, the federal government agency charged with such function and the International Confederation of Societies of Authors & Composers (CISAC), the global organization representing collective management organizations in 121 countries. COSON has received support from the entire copyright community around the world for its professionalism and steadfastness in the defence of the intellectual property rights of creative people in Nigeria.With the work of COSON, the sad image of Nigeria as a lawless nation and bastion of piracy and other forms of intellectual property infringement has begun to abate.

Anybody familiar with the issue knows that the unfortunate threat by the leadership of BON is truly a smokescreen and a cunning ploy to precipitate a crisis in the Nigerian music industry. For more than 35 years, a section of the Nigerian broadcasting industry has fed fat from the abuse of the intellectual property rights of creative people in Nigeria. For many years, some leaders of the broadcasting industry in Nigeria have lived in opulence and squandered the money that should have been used to pay royalties to musicians whose rights they have continued to infringe recklessly while the artistes die in penury.

COSON has done everything to engage broadcasting stations in Nigeria to peacefully do what is done in every other country in a very professional manner. The Nigerian music industry has held countless meetings with BON for decades and each meeting has only provided the broadcast industry with excuse after excuse to kick the can down the road. The fact is that there is no genuine interest in some parts of the broadcast industry to negotiate and pay for the exploitation of musical works and sound recordings as is done elsewhere in the world and as required under Nigerian law and international conventions. The behaviour of a lot of BON members is that as long as the matter is not resolved, they can continue to exploit musical works and sound recordings for free without any consequence. They believe that it is not in their interest to have a negotiated settlement and so they find one excuse after another to kick the can down the road and endlessly delay any resolution. Indeed, there are many broadcast stations in Nigeria, broadcasting for years and receiving enormous advertising revenue that have NEVER paid one naira for the music they play.

If the issue of royalty payment has resulted in very expensive litigation against broadcast stations, the leadership of the broadcast industry must accept full responsibility for the crisis because it precipitated the crisis.
To force the issue, COSON has finally decided to take the individual stations which are infringing the rights of copyright owners to court since BON is not serious about resolving the matter. In any case, BON is not a regulatory body, not a broadcasting station but simply an association of the willing and cannot be held legally liable for the copyright infringement by any broadcast station.
The unfortunate statement credited to BON says that its members are frustrated by the injurious monopoly and arbitrary imposition of manipulated tariffs on its members by COSON. What exactly does BON mean? Is BON ignorant of the fact that COSON cannot impose a tariff on anybody? Indeed, the Copyright (Collective Management Organization) Regulations, 2007 has provisions for anybody who disagrees with any tariff issued by an approved collecting society to apply to the Nigerian Copyright Commission (NCC) to set up a panel to review such tariff? Has any member of BON applied to the NCC as stipulated without the Commission taking appropriate action?

COSON has successfully negotiated copyright royalty agreements with numerous local and international organizations including Google, Multichoice/DSTV and the nation’s largest broadcast network, the federal government owned FRCN. COSON has also successfully negotiated royalty agreements with the hotel industry in Nigeria under the auspices of Hotel and Personal Services Employers Association (HOPESEA), Hotel Owners Forum Abuja (HOFA) and Nigerian Tourism Development Corporation (NTDC). There are several broadcasting stations that have reached agreements with COSON and are broadcasting music comfortably as required by law. The fact is that COSON works very well with people who want to work with COSON and for the first time in Nigeria, artistes are receiving royalties for their works in a transparent and accountable system.

The repeated threat of the leadership of BON to ban music made by Nigerians on the airwaves belonging to Nigerians is to activate the ploy of the BON leadership to precipitate a crisis of confidence around COSON and to set COSON members and affiliates against their organization. The way they have planned it, while the crisis lasts, they will smuggle through the backdoor the approval of MCSN, the group which the government has long rejected and which together with its officers is being prosecuted for different criminal activities by agencies of the Federal government. The plan is to find ways to truncate the ongoing trial of the MCSN officers who willingly in turn issue arrangee copyright licences to them. Under this arrangement, the stage will be set for some of the members of BON, notorious for not paying their bills, to continue the wanton exploitation of the intellectual property of free citizens.

For nearly two years, COSON knew about the disingenuous scheme being hatched by the leadership of BON. The Director-General of the Nigerian Copyright Commission, Mr. Afam Ezekude can confirm that COSON had notified him of this ploy both at a meeting and by a letter dated February 8, 2012.Excerpt from the letter to Ezekude reads: ‘Despite the close engagement which COSON has had with BON, the organization wants to claim that there is lack of clarity as to who its members should pay royalties to for the broadcast of musical works and sound recordings. It is clear that this is a scheme to precipitate a crisis in the collective management of copyright so that BON members can hide behind the crisis to continue the free use of the entire music and sound recording repertoire in Nigeria and slow down the progress being made by COSON. There is no question that if the BON scheme is allowed to be activated, no one can be sure of the exact consequences because the entire industry would be forced to go back to the trenches’
The Attorney – General of the Federation & Minister of Justice, Mr Muhammed Bello Adoke SAN can also confirm that by a letter dated February 28, 2013, COSON had also alerted him about the ploy of the BON leadership.

In the letter, COSON had asked the Attorney General of the Federation to investigate how the leadership of Broadcasting Organization of Nigeria (BON), led by a paid employee of the Federal Government, Malam Abubakar Jijiwa, is taking active steps to  truncate the criminal trial of the unapproved MCSN and six of its officials which trial is being conducted by the Nigerian Copyright Commission (NCC), an agency of the Federal Government.

COSON believes that the time has come to ask Malam Jijiwa to step aside as Director-General Of Voice of Nigeria. His open affront on the policies and decisions of the government paying his salaries are baffling and inexplicable and the fire he is allowing himself to be used to stoke can lead to consequences that the Nigerian nation will regret. Serious members of BON also need to get clear answers as to what is being done in their name and whose interest, their Executive Secretary, Mr Segun Olaleye is serving. For instance, it will be necessary to establish who called and who attended the ‘emergency meeting’ where it was decided that free Nigerians who have committed no offence should be banned from the airwaves of their nation.

The unenforceable threat issued by the BON leadership is a most childish and silliest announcement for an organization that wishes to be taken seriously. It has made BON the laughing stock of the world. Sadly, Jijiwa and Olaleye have allowed BON to become the megaphone of the unapproved MCSN being prosecuted by the Federal Government of Nigeria for various criminal offences. They have also become willing tools in the hand of an emperor who believes that because he has established a number of broadcast stations, he is now bigger than Nigeria and above the law. This needs to stop immediately.

COSON hereby assures all its members and affiliates that Nigeria is not a banana republic and that no one can stop them from being heard in their country. COSON’s dedication to the progress of the Nigerian nation remains unshaken. We remain committed to using the instruments of the law to fully defend the rights of creative people in Nigeria and to promote the Nigerian nation to the world. We will not be intimidated and will never act outside the law. We are committed to ensuring that musicians walk tall in Nigeria and earn a decent living for their work. We will do what is necessary to ensure that our industry offers gainful employment to the thousands of our countrymen who roam the streets today aimlessly. We will work night and day, without fear or favour, to continue to promote the spirit of the COSON slogan, ‘Let the music pay!’

Wednesday, 9 October 2013

RAY POWER & AIT IN DEEP WATERS AS NIGERIAN MUSICIANS SUE FOR 10 BILLION NAIRA


 NIGERIAN MUSICIANS UNDER THE UMBRELLA OF COSON HAVE FILLED A  N10 BILLION NAIRA SUIT AGAINST DOKPESI’S RAY POWER & AIT  IN WHAT IS KNOWN AS AFRICA’S BIGGEST COPYRIGHT INFRINGEMENT ACTION 
 Copyright Society of Nigeria (COSON), Nigeria’s government approved collective management organization for musical works and sound recordings, who collects royalties on behalf of Nigerian musicians, has filed a Ten Billion naira copyright infringement action against Daar Communications Plc, Nigeria’s biggest privately owned broadcast network which operates stations such as Ray Power FM, Faaji FM and Africa Independent Television (AIT) scattered all over Nigeria. The suit No. FHC/L/CS/1392/13 filed on October 7, 2013 on behalf of COSON at the Federal High Court, Lagos by crack Intellectual Property lawyer, Mr. Justin Ige, is the biggest known copyright infringement action ever in the African continent.
In the action, COSON on behalf of Nigerian musicians is asking for the sum of N724, 500, 000. 00 (Seven Hundred and Twenty Four Million, Five Hundred Thousand Naira) being amount due as royalties or license fees.
COSON is also asking for general and exemplary damages and a perpetual injunction restraining Ray Power FM, Faaji FM and Africa Independent Television (AIT) managed by Chief Raymond Dokpesi, their agents, privies or servants from further or other unauthorized copying, broadcast of musical works or sound recordings belonging to the members, affiliates and assignors of COSON and/or infringement of the copyright in the musical works or sound recordings belonging to the members, affiliates and assignors of COSON.
We need your opinion and participation on this matter. Tell us how you feel about this issue.